2009's Zombieland directed by Ruben Fleischer.
Ruben Fleischer’s Zombieland, 2009, is a comedy zombie
film, which is constructed with the use of micro features. The opening titles
show various civilians running away from zombies. This adds to the narrative
enigma as the audience questions what happened for zombies to appear in the
world. The non diegetic soundtrack of Metallica’s For Whom The Bells Toll
exaggerates the already dramatic sequence. This choice in music relates back to
the comedy of the film as it adds a sense of humour for the audience as they
watch people run away from zombies. The sequence begins with a low angle of a
man falling to his death in an attempt to avoid a zombie this is done in slow
motion, as is the whole sequence, which adds a sense of humour o the sequence and
reflects well on the genre of this film. This use of editing allows the
audience to laugh at their misfortunes rather than pity them; also the use of
slow motion makes the sequence seem light hearted, as if it's mocking horror
zombie films. In addition, the slow motion makes the sequence seem over
dramatic, which reflects on the use of type and music. It’s over exaggeration is what makes the sequence
humorous for audiences.
The sequence fades
into various scenarios with different people, which could show that this zombie
outbreak has affected those in various parts of the world. The use of gore for
humour purposes is affective as a mid shot of a zombie spitting out blood could
add to the shock value of the film and show the audience the level of blood is
to be expected. Even though a focus pull makes the zombie the main attention,
the audience can see the blue skies in the background. This contrasts with the
conventions of a zombie film; the audience would expect for dark skies to
reflect on the hopelessness the protagonists feel in the midst of a zombie
outbreak. This further shows Zombieland is a comedy film as it can be suggested
that the film goes against these conventions. It can also be suggested this
film will see a happy ending and will be less sinister and frightening than
typical zombie horror films.
The next shot shows a feminine woman wearing bright clothing being chased by a zombified woman in dull clothing. The slow motion draws the audience's attention on the milkshake that's been tossed in the air as the woman attempts to escape the grasp of the zombie. It can be suggested that the woman represents the struggle feminine women face in attempts of survival. This can further suggest to the audience that either a feminine character in the film will struggle with the zombie outbreak or an unconventional female character will ultimately win against the zombies.
A sense of irony is used for humour as a man holding a 'the end is near' sign is attacked by zombies. This can further suggest this film is humorous and lighthearted in contrast to serious zombie films. The typography chosen is bold and red making it
stand out amongst the events on screen, yet the use of editing makes the words
seem as if they're in the sequence. The words appear to move and react once
something or someone touches it. This interaction could suggest that nothing is
safe from the destruction the zombies cause. The use of red connotes danger and
blood, which is seen frequently throughout this sequence.
The props used in this sequence isn't conventional in a horror film with it's use of milkshakes and female nudity- this could be conventional in a comedy film in order to provoke humour for the audience. However, the iconography used such as zombies, violence, gore and blood are conventions of the horror genre, suggesting to the audience that the film is a sub genre of horror- a horror comedy.
Another scene is faded into showing the audience a long shot of a zombie bride attacking her groom. This could be humorous for audiences as the whether zombified or not, brides are usually seen as monstrous. However, audiences can also suggest that the zombie outbreak has ruined happy occasions for people. This further suggest civilisation has been lost as zombies have taken over. Both the colours and choice of typography is the same for the cast name and the title name yet the composition of the film title is placed in the centre whereas the cast names were placed on the sides of the screen. This positioning puts the title as a main focus as a man shatters both the title and glass. The mid shot creates an allusion as if the audience is going to get hit by the glass, allowing for us to immerse ourselves in the action.
A long shot shows a clean firefighter running away from a flaming zombie as another firefighter does his job. This adds to the narrative enigma as we question what will kill the zombies.In addition, this shot could show the zombies are powerful as there is no way of killing them; this could establish the narrative of the film, the protagonists work to find a way to get rid of them. Furthermore, the shot could also represent betrayal in the film as the firefighter chooses to run instead of help his fellow co worker.
A mid shot shows a man dressed in a tuxedo shooting a rifle. From the position of the camera, it looks as if he is shooting at us as if we are zombies. This again allows the audience to immerse themselves in the action of the sequence. This also adds anticipation as we can see the zombie running towards the oblivious man, we want to tell them there's something behind him but yet we are powerless.
The final shot of the sequence places the audience inside a car as a man spits out blood and shatters the glass. It can be suggested that the man is seeking the audience for safety yet he soon succumbs to his death which could connote the shattering of glass is the shattering of civilization. The sequence ends with a final humorous sound of a bell that resembles the sound of knock out as if the man was in a boxing match with a z










No comments:
Post a Comment